Despite the theme and the sense of tragic inevitability to the whole proceedings (its alternate title is The Crucified Lovers), it is less violent and is easier to watch than Ugetsu or Sansho the Bailiff. Technically and visually, Ugetsu is a marvel. Japans most renowned cinematographer, Kazuo Miyagawa came to film after studying traditional Japanese ink painting, training that influenced his professed desire to use the camera to paint on film, to bring rhythm and music to camerawork, and to continue writing poetry in the tone.. Ugetsu Review My impression of Ugetsu Monogatari was an overall positive one. Having refined his craft in the silent era, Kenji Mizoguchi was an elder statesman of Japanese cinemafiercely revered by Akira Kurosawa and other younger directorsby the time he made Ugetsu. Quite simply one of the greatest of filmmakers, said Jean-Luc Godard of Kenji Mizoguchi. Asian Cinematography. Ugetsu Monogatari (1953 Japan 96 mins). Roger Deakins is an English cinematographer best known for his work on the films of the Coen brothers, Sam Mendes, and Denis Villeneuve. 3.9 / 5. Rent $3.99 Cinematography by: Kazuo Miyagawa. It is widely regarded as a landmark of cinema, especially for its production, Dreyer's direction and Falconetti's performance, which And with this exquisite ghost story, a fatalistic wartime tragedy derived from stories by Akinari Ueda and When you were a child, what film made the strongest impression on you? In this, and so many of the directors films from this era, the contributions of cinematographer Kazuo Miyagawa really cannot be underestimated. Ugetsu is a film that separates itself from both period pieces of its time and from Japanese film of any era. Ugetsu. Mizoguchis long, wide shots are given the crispness needed to fully appreciate his and cinematographer Kazuo Miyagawa vision for this adaptation of stories from the book Ugetsu Monogatari by Akinari Ueda. 18. Unique Ugetsu Posters designed and sold by artists. Also included are three interviews running between 10 and 20 minutes each. He later remarked that Ugetsu was the only film for which his work was praised by the master. The bewitching cinematography by Kazuo Miyagawa (Rashomon, Ugetsu) captures the sensual atmosphere of the period setting, while the script by Kaneto Shindo (Onibaba, Kuroneko) lends a modern twist to this feverish meditation on obsession and the act of creation. Instead, Ugetsu is really a class unto itself, a simple, fable-like, morality tale at its core, but layered with the psychology of desire. Kazuo Miyagawa, the cinematographer on Ugetsu and seven other Mizoguchi films, recalled the directors words: Miyagawa, Id like to make a film like a handscroll (emakimono). My favorite aspect of the film was its cinematography by Kazuo Miyagawa. Two Worlds Intertwined, a 2005 appreciation of Ugetsu by Masahiro Shinoda Process and Production, a 2005 interview with Tokuzo Tanaka, rst assistant director on Ugetsu Interview from 1992 with cinematographer Kazuo Miyagawa Ugetsu concerns the story of two couples during the start of civil war in Japan during the sixteenth century. Interviews with Tokuzo Tanaka (first assistant director on Ugetsu) and cinematographer Kazuo Miyagawa focus more specifically on anecdotal production history Mizoguchi's working methods, including the director's legendary perfectionism regarding painstaking details of props, costumes, and production design. The Passion of Joan of Arc (French: La Passion de Jeanne d'Arc) is a 1928 French silent historical film based on the actual record of the trial of Joan of Arc.The film was directed by Carl Theodor Dreyer and stars Rene Jeanne Falconetti as Joan. 13 Save. Add to list. After the success of his previous film The Life of Oharu (1952), Mizoguchi was offered to make a film by his old friend Masaichi Nagata at Daiei Film studios. Ugetsu Monogatari - Tales of the Moon and Rain (1953) has since I saw it for the first time followed me deeply throughout my life, namely because of as you mention, the cinematography is spot on. Kazuo Miyagawa was, quite simply, Japan's preeminent cinematographer. Weep. At 16, I was hardly a child when I saw Peter Watkins The War Game (1965) at a local Torquay film-society screening. In Japanese; English subtitles. All titles Director Screenplay Cast Cinematography Music Producer Editing Sound Costume Design Art Department. 35mm, b/w, in Japanese with English subtitles, 87 min. Simultaneously realistic, allegorical and supernatural, Ugetsu is the most stylistically perfect of all Mizoguchis work, and many critics consider it the greatest Japanese film ever made. David L. Cook. Nanook of the North is a 1922 American silent film which combines elements of documentary and docudrama, at a time when the concept of separating films into documentary and drama did not yet exist. The definitive site for Reviews, Trailers, Showtimes, and Tickets In this, and so many of the directors films from this era, the contributions of cinematographer Kazuo Miyagawa really cannot be underestimated. Ugetsu is a film that separates itself from both period pieces of its time and from Japanese film of any era. It neither has the ferocious, exiting energy that Kurosawa successfully utilized, nor the slow mundane nature that Ozu became known for. He also worked on films by major directors Kenji Mizoguchi, Directed by: Kenji Mizoguchi. Ugetsu Rotten Tomatoes, home of the Tomatometer, is the most trusted measurement of quality for Movies & TV. Shop affordable wall art to hang in dorms, bedrooms, offices, or anywhere blank walls aren't welcome. It is a departure from Mizoguchi's earlier work, being more expansive and complete, beyond just the humiliation and pain of women. Audio commentary by critic, filmmaker, and festival programmer Tony Rayns Kenji Mizoguchi: The Life of a Film Director, a 1975 documentary by Kaneto Shindo Two Worlds Intertwined, a 2005 appreciation of Ugetsu by Masahiro Shinoda Process and Production, a 2005 interview with Tokuzo Tanaka, first assistant director on Ugetsu Interview This haunting movie subtly conveys the illusory nature of ambition and desire. See details. Machiko Kyo, Masayuki Mori, Kinuyo Tanaka, Sakae Ozawa, Presented in a glorious 4K digital restoration, Ugetsu is Mizoguchis towering achievement, a haunting and decorous fable about the illusory nature of desire set And with this exquisite ghost story, a fatalistic wartime tragedy derived from stories by Akinari Ueda and Guy de Maupassant, he created a touchstone of his art, his long takes and sweeping camera Cinematography by Kazuo Miyagawa. Picture 9/10. Presented in a glorious 4K digital restoration, Ugetsu is Mizoguchis towering achievement, a haunting and decorous fable about the illusory nature of desire set Ugetsu (1953). Asian cinematography as a definition refers to the cinematography of eastern, south-eastern and southern Asia (Far East cinema) and also western Asia (Near East cinema). There was a lot of things done right such as the cinematography, set design, and acting; however, there was a definite issue with a certain plot element of the film and support character acting. 18. Ugetsu is a shattering experience, among the greatest movies ever made. Ugetsu. 1. Every little detail inside the frame is highly planned, thought out Japanese romantic fantasy drama directed by Kenji Mizoguchi and based on stories in Ueda Akinari's 1776 book of the same name. Ugetsu. The bewitching cinematography by Kazuo Miyagawa (Rashomon, Ugetsu) captures the sensual atmosphere of the period setting, while the script by Kaneto Shindo (Onibaba, Kuroneko) lends a modern twist to this feverish meditation on obsession and the act of creation. It is a departure from Mizoguchi's earlier work, being more expansive and complete, beyond just the humiliation and pain of women. There was a lot of things done right such as the cinematography, set design, and acting; however, there was a definite issue with a certain plot element of the film and support character acting. The edition is also packed with special features, including a documentary by Kuroneko director Shindo on the career of Mizoguchi! Ugetsu is a black-and-white classic of Japanese cinema for its beautiful cinematography and clever writing. Ugetsu is a tragic ghost story directed by Kenji Mizoguchi. And Ugetsu, a ghost story like no other, is surely the Japanese directors supreme achievement. T wo masterful postwar films awakened audiences worldwide to the rich heritage of Japanese cinema: Kurosawas Rashomon (1951) and Mizoguchis Ugetsu (1953). Mizoguchi's screenwriter and long-time collaborator Yoshikata Yoda said that originally, Mizoguchi did not envision making an anti-war film, instead wishing to c 1953. Ugetsu Blu-ray Criterion 1953 / B&W / 1:33 / Street Date June 6, 2017 Starring: Mitsuko Mito, Masayuki Mori, Kikue Mouri, Sakae Ozawa, Kinuyo Tanaka Cinematography: Kazuo Miyagawa Film Editor: Mitsuz Miyata Written by Matsutar Kawaguchi, Yoshikata Yoda Produced by Masaichi Nagata Music: Fumio Hayasaka, Tamekichi Mochizuki, Ichir Sait Ugetsu (Criterion Collection) - 1953 - BLU-RAY. The result is that while Genjuros story is dissolved in an epic finale, Tobeis story suddenly ends abruptly after the newly become warlord meets his fallen woman again. Based on a novel by Yoshiko Shibaki. Ugetsu is constructed with the intelligent, entertaining, broad grace and energy that Kurosawa also imbued within his films. Cinematographer: Kazuo Miyagawa. One of the greatest, most lyrical films ever made, Kenji Mizoguchi's "Ugetsu" (aka "Ugetsu Monogatori") is set in the sixteenth century, when a civil warfare is ravaging the land. Emmanuel Lubeszki (1964 ) In this decade, the mexican Emmanuel Lubeszki won two consecutive oscar for Best Cinematography (Gravity in 2014; and Birdman (Or The Virtue of Ignorance) in 2015). The bewitching cinematography by Kazuo Miyagawa (Rashomon, Ugetsu) captures the sensual atmosphere of the period setting, while the script by Kaneto Shindo (Onibaba, Kuroneko) lends a modern twist to this feverish meditation on obsession and the act of creation. Japan. Cleveland revival premiere Subtitles. 94 min. So it makes sense that, for their current re-release poster, Janus has stuck with Masayuki Mori and Machiko Kyo, who played the murdered samurai and his wife in Rashomon, also essayed important roles in Ugetsu, the cinematographer and the music composer for both the films were the same, and the plots for both the films were created by combining two short stories. Asian Cinematography. Ugetsu (Criterion Collection) on Blu-ray. He is a member of both the American and British Society of Cinematographers. In the tradition of what would later be called salvage ethnography, the film follows the struggles of the Inuk man named Nanook and his family in the Canadian Arctic. Though it is not altogether a horror movie, there are many elements of this drama that are horrifying, including ghost women, haunted waters and psychological torment. Cast: Machiko Kyo, Aiko Mimasu, Ayako Wakao, Michiyo Kogure, Kenji Sugarwara. The Mexican cinematographer used fog and fire and shot mostly on film to capture religious wars in feudal Japan in "Silence." What makes "Ugetsu" a deathless classic, though, is the singular beauty of Mizoguchi's style, aided by Japan's supreme cinematographer, Kazuo Miyagawa ("Seven Samurai"). The acting by the stellar cast is also natural while ethereal whenever the supernatural comes into play. Ugetsu is a black-and-white classic of Japanese cinema for its beautiful cinematography and clever writing. This haunting movie subtly conveys the illusory nature of ambition and desire. Cinematographer Kazuo Miyagawa worked with Mizoguchi six times, including his last film, Street of Shame (1956). The film won the Silver Lion Award at the 1953 Venice Film Festival and other honours. Ugetsu is one of Mizoguchi's most celebrated films, regarded by critics as a masterpiece of Japanese cinema, credited with simultaneously helping to popularize Japanese cinema in the West and influencing later Japanese film. Japan. Last is a 1992 archival interview with cinematographer Kazuo Miyagawa that originally appeared on Criterion's laserdisc of Ugetsu.
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